Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Music, Popular (Songs, etc.) --- Musique populaire (Chansons, etc.) --- History and criticism --- Histoire et critique --- Pop music --- Rock music --- Pop music. --- Rock music. --- Popular music --- History and criticism.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Popular music --- History and criticism --- 78.067.26.4 --- -#SBIB:309H142 --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Beatmuziek. Discomuziek. Popmuziek. Rockmuziek --- Populaire muziek: functies, muziekgenres, historiek --- 78.067.26.4 Beatmuziek. Discomuziek. Popmuziek. Rockmuziek --- #SBIB:309H142 --- Popular music - History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Fonds APL

Folk songs --- Folk music --- Chansons folkloriques --- Folk (Musique) --- Musique populaire --- Art populaire --- Lutte de classes --- Ouvrier --- -Folk songs --- -Popular music --- -398 --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Cover versions --- Folksongs --- National music --- Ballads --- National songs --- Ethnic music --- Traditional music --- Popular music --- 398 --- 398 Folklore --- Folklore --- History and criticism --- Social change --- Political philosophy. Social philosophy --- Music --- World history --- Belgium --- Chant --- History and criticism. --- Histoire et critique --- Lutte des classes --- Folk songs - History and criticism --- Folk music - History and criticism --- Popular music - History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The music industry's ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers' efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld's Pop Song Piracy details nearly a century of disobedient music distribution from song sheets to MP3s. In the 1940's and '50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. Pop Song Piracy shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing). Ultimately, he contends, it was the music industry's persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate.

Music trade --- Popular music --- Sound recording industry --- Sound recordings --- Copyright --- Piracy (Copyright) --- Unauthorized reproduction of copyrighted material --- Copyright infringement --- Literary property --- Property, Literary --- Intangible property --- Intellectual property --- Anti-copyright movement --- Authors and publishers --- Book registration, National --- Patent laws and legislation --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Music business --- Music industry --- Cultural industries --- Corrupt practices --- History --- Writing and publishing --- History. --- Pirated editions --- Law and legislation --- Music trade - Corrupt practices - United States - History - 20th century --- Popular music - Writing and publishing - Corrupt practices - United States - History - 20th century --- Sound recording industry - Corrupt practices - United States - History --- Sound recordings - Pirated editions - United States - History --- Copyright - Music - United States - History - 20th century --- Piracy (Copyright) - United States - History - 20th century --- piracy, distribution, publishers, mp3, song sheets, fake books, lyrics, bootlegs, assimilation, consumption, commerce, capitalism, nonfiction, history, media, law, commercialization, popular music, sound recordings, pirated editions, copyright, tin pan alley, photocopying, broadcasting, radio, phonograph, copying, new releases, compact discs, sharing, musicians, authorship, profit, jazz, improvisation, live performance.